I apologize for my long absence from this blog. Time to get back to it!
While I was in Istanbul this past March, I had the great fortune to be able to visit the Sakıp Sabancı Müzesi (Museum) in Emirgan, on the European side of the Bosphorus. If you’re ever in Istanbul and interested in the history of calligraphy, this is the place to go.
Though there aren’t an extraordinary number of pieces at the Sakıp Sabancı museum, each one is particularly well chosen, giving the visitor a cohesive overview of calligraphy during the Ottoman empire. The Collection is displayed in the upper storey of the Atlı Köşk mansion, and is part of the permanent collection. Visit the museum’s website for more details about the collection and how to get there. You can also view pieces from their collection on this website’s gallery page; search for “Sakıp Sabancı” to find items from the collection.
You can also view pieces from their collection on this website’s gallery page; search for “Sakıp Sabancı” to find items from the collection.
This looks like it will be a great event, sponsored by IRCICA:
SYMPOSIUM \ EXHIBITION \ WORKSHOP: FEMALE CALLIGRAPHERS 5-20 June 2010 Cemal Resit Rey Cultural Center, Istanbul
This event combines the first international female calligraphers’ symposium with a diploma (icazet) ceremony, a calligraphy exhibition, and a workshop. 45 female calligraphers from Turkey, Iran, Spain, England, Syria and the UAE will participate; 26 female calligraphers will receive their icazet during the event.
The book ‘Dünden Bugüne Kad?n Hattatlar / Female Calligraphers Past and Present’ (in both Turkish and English), authored by Dr. Hilal Kazan, will also go on sale at the opening. The volume contains not only images of the works of 163 female calligraphers whose work spans from the first years of Islam to today, but also their biographies, where available their photographs, and images of their gravestones and relevant archival documents.
The event is sponsored by the Turkish Prime Ministry, IRCICA (Research Center for Islamic History Art and Culture), and the Greater Municipality of Istanbul.
Project + Project Coordination: Dr. Hilal Kazan (Calligrapher & Art Historian)
For more information please contact: femalecalligraphers@gmail.com or hllkzn@yahoo.com
The Detroit Institute of Arts opened a new Gallery of Islamic Art on February 28, 2010.
From the Associated Press:
DETROIT (AP) – In the heart of the largest concentration of Muslims in the U.S., the Detroit Institute of Arts this weekend is opening a new permanent gallery of Islamic art showcasing exhibits including a rare 15th-century Quran of a Mongol conqueror.
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Among the gallery’s treasures: one of the largest-known Ottoman mosque candlesticks from about 1500; an elevated giant cut-velvet summer floor covering made between 1650 and 1700 in Turkey, believed to be the largest of its kind; and a 15th-century leather-bound Quran, whose gold-flecked paper was given by the Ming emperor of China to Timur, one of the Mongol conquerors of the Middle East.
The Dubai Arabic Calligraphy Centre cordially invites you to attend a specialized set of lectures that covers the history of the art of Arabic calligraphy.
By Dr. Sulieman Berk
7-9 January 2010, 6 to 8.30 pm, Luxury Ball Room, Centre of Excellence – BLDG 2, Gate Village, Dubai International Financial Center
Discover Islamic Art (http://www.discoverislamicart.org), a project of the Museum with No Frontiers, is a virtual museum that “explores Islamic art and material culture in the Mediterranean region.” This website is an excellent resource for educators and those who are interested in learning more about Islamic art.
You can explore the museum’s permanent collection by country and/or by dynasty. Use the “My Museum” feature to gather and save your favorite items from the Museum’s collection in one place.
The Hamad bin Khalifa Symposium on Islamic Art, organized by Sheila S. Blair and Jonathan M. Bloom, is a leading international conference on Islamic art and culture. It is co-sponsored by Virginia Commonwealth University School of the Arts, VCUQatar and the Qatar Foundation. Previous symposia were held in Richmond, Virginia in 2004 and in Doha, Qatar in 2007. The third biennial symposium, And Diverse Are Their Hues: Color in Islamic Art and Culture, will be held in Córdoba, Spain, November 2-4, 2009.
For those of you interested in studying Islamic Art in more detail and depth, the Hamad Bin Khalifa Symposium on Islamic Art offers a great chance to interact with scholars and artists in the field. Register now!
This permanent online exhibit is an adaptation of the Indiana University Art Museum special exhibition, “From Pen to Printing Press: Ten Centuries of Islamic Book Arts” which was on display from March 7-June 30, 2009. All of the materials featured on this website are housed in Indiana University collections on the Bloomington campus and are accessible to the general public.
The online exhibit features over 50 individual objects, most of which are accompanied by catalogue information and descriptions. Objects are arranged into the following categories: Writing Implements and Materials, Manuscripts, Paintings and Illustrations, Miniature Manuscripts and Scrolls, Early Printed Books, and Modern Revivals.
On 7 July 2009 Iranian born Afruz Amighi was awarded the first Jameel Prize for her work 1001 Pages (2008). The Prize, worth £25,000, is an international art prize launched by the V&A to award contemporary artists and designers inspired by the Islamic traditions of craft and design.
1001 Pages is from a series of shadow pieces in which Amighi uses light and shadow to create complex and engaging designs. She employs a stencil burner to hand-cut the design from a thin, porous sheet of plastic – a material used in the construction of refugee tents. The work is suspended, and an overhead projector illuminates the piece, which casts a shadow of the intricate pattern against a wall. The winning work is on display in the new Studio Gallery (8 July – 13 September) alongside work by the 8 other artists shortlisted for The Jameel Prize.
Since poster design in contemporary Iranian graphics has found a significant and established status in the international scene, the Center for Visual Arts of the Ministry of Culture and Islamic Guidance in collaboration with the Institute for Development of Visual Art plans to organize the 10th Tehran International Poster Biennial.
The deadline for submissions is August 22, 2009. Visit the Khatt Network for more information.
Masterpieces of calligraphy from the Islamic Art Department’s collections will be on display on the south balcony for a period of three months, showcasing the calligraphic art of the Islamic world, from Spain to south Asia and beyond. The works, ranging in date from the 8th to the 19th century, will include several richly illuminated Qur’anic manuscripts, as well as sumptuous album pages in a variety of scripts, examples of inlaid metalwork, fine ceramics, and rare textiles with calligraphic elements. Many calligraphic scripts from early kufic to the later refined nasta’liq, will be shown in a range of media, demonstrating the impact and importance of this most quintessential of art forms.
This installation is presented in conjunction with Muslim Voices: Arts and Ideas, a ten-day festival and conference in New York City celebrating Islamic culture (June 5-14 2009).
